Not so mysterious or tense in the plot, Thanos Anastopoulos’ second film Correction (2007) excites through other cinematic means. Highly developed visual language, almost independent from the minimally present dialogue, slowly unrolls the protagonist’s present, conditioned by his past. Yorgos, a Greek, stalks his ex-partner Ornela, an Albanian, and their daughter Savina, trying to reunite with them …
